With the Just A Souvenir record I published a short piece of writing which was a description of a daydream, and in a roundabout way that was me trying to articulate the idea of me inventing people. And as much as it’s formally speaking a break from the past – to actually bring other people in – in the end it’s not so different to what I’ve already done. That way you’ve got someone with this outlook, someone who plays that instrument, and someone who’s got a certain kind of taste and ability. I try to image different players and concoct musicians, and play them off against each other, so when I’m recording I’m impersonating these imaginary people. Obviously I’m known for working as solo artist but the way in which I’ve worked has often been to try to make the situation in the studio almost like it would be if there was a band. For me, it was a logical development in terms of the ways I’ve worked over the years. The recording sessions came out of some informal conversations with a bunch of people. How did the Shobaleader One project come to be? With the full album, entitled D’Demonstrator, set for release on October 18 – this time back on Warp – Juno Plus editor Aaron Coultate caught up with one of electronic music’s most revered characters. Indeed it was the latter who provided a suitably off kilter remix when the Cryptic Motion EP hit the shelves in September. The French imprint is best known for its electro club tackle, although it does harbour its own small stable of leftfield thinkers (chiefly Krazy Baldhead and Messer’s Flash and Oizo). The Shobaleader One album is ostensibly his most accessible work to date, but it still came as a surprise to many when the debut single was released not on Warp, but on Pedro Winter’s Ed Banger. His new project, Shobaleader One, was formed when a troupe of musicians – who, true to form, shall remain anonymous – approached Jenkinson to put into reality a daydream about watching a “crazy, beautiful rock band play an ultra-gig” that he mentioned in the sleeve notes of his 2008 album Just A Souvenir. His fan club includes Andre 3000 and Thom Yorke, while Flea from the Red Hot Chili Peppers once declared Jenkinson “the best bass player in the world”. His esoteric appeal is almost unparalleled, thanks to his 20 minute bass solos, Amen-sampling end-of-the-world drum and bass and excursions into ambient jazz. ashevilleguitarbar like 21.Music thrives on mystery, and Tom Jenkinson aka Squarepusher has provided it in spades since his early singles in the mid 90s. The Goldthwaites also have a motto for their new space: “Keep it local, keep it live, and keep it Asheville.”Īsheville Guitar Bar is at 122 Riverside Drive, Suite D. A reason for people to come,’” says Mark - and the Asheville Guitar Bar was born out of that idea. The jam sessions, now held at the bar, started there two years ago. The Goldthwaites are also the owners of The Paintbox, a studio in Pink Dog Creative. There are four brews on tap, but the lounge features “high-end, Old World wines at great prices,” says Mark. Plus, at the Asheville Guitar Bar, there’s a plan to start a musicians fund “so whoever’s playing can walk offstage with some money in their pockets,” says the owner.Īnd, just because it’s a guitar-themed bar doesn’t mean beer is the only beverage. Part of Mark’s extensive guitar collection comes from the habit of purchasing good-but-cheap instruments at thrift shops to give away to musicians in need. “We have some very professional people coming in - Grammy Award winners,” says Mark.īut just because big names have graced the stage, it doesn’t mean every player has a lot of resources. Sunday is an open jam - a time for the Goldthwaites’ friends to play and a chance to vet newcomers interested in booking a show. A place for them to meet other musicians to play and jam and get together.”Ĭertain nights are booked, such as a Gypsy jazz jam run by local guitarist Steve Karla, and a singer-songwriter night on Wednesdays. “We wanted to create a networking place for local musicians. “It’s a music bar built by musicians, for musicians,” says Mark Goldthwaite, who owns the bar with his wife, Julia. But the new watering hole, located in the Cotton Mill Studios in the River Arts District, is also living-room comfortable and artistically stylish. From the guitars scattered throughout, to the furniture constructed from repurposed instruments, to the ceiling beam made to look like a guitar fretboard (complete with strings of different gauges), the theme is apparent. There’s no question that you’ve arrived at the Asheville Guitar Bar.
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